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The Green Card process for acquiring Permanent Resident status in the United States can be a real maze. I should know - I've been building up to the end of the process for six years. I'm pleased to say I've now received my 'Conditional' Green Card. This means that in two years my case is reviewed again (with a second interview).
At that time, if all is well, I receive the holy grail of Permanent Resident Status - a 10-year card instead of the conditional 2-year card! But that's all in the future...
For now, I'm happy to make it through Stage 1 of the Green Card good times. If you have any questions about the process, feel free to ask them in the Comments to this post. I can at least convey my experience to you, which may be helpful.
The Green Card process for acquiring Permanent Resident status in the United States can be a real maze. I should know - I've been building up to the end of the process for six years. I'm pleased to say I've now received my 'Conditional' Green Card. This means that in two years my case is reviewed again (with a second interview).
At that time, if all is well, I receive the holy grail of Permanent Resident Status - a 10-year card instead of the conditional 2-year card! But that's all in the future...
For now, I'm happy to make it through Stage 1 of the Green Card good times. If you have any questions about the process, feel free to ask them in the Comments to this post. I can at least convey my experience to you, which may be helpful.
Laurence Binyon (1869-1943), the poet and art critic, was born in Lancaster in 1869. He worked at the British Museum before going to war, having studied at Trinity College, Oxford where he won the Newdigate poetry prize. Whilst on the staff of the British Museum he developed an expertise in Chinese and Japanese art.
Aside from his best known poem For The Fallen (1914), most notably the fourth stanza which adorns numerous war memorials, Binyon published work on Botticelli and Blake among others. He returned to the British Museum following the war. His Collected Poems was published in 1931.
For The Fallen With proud thanksgiving, a mother for her children, England mourns for her dead across the sea. Flesh of her flesh they were, spirit of her spirit, Fallen in the cause of the free.
Solemn the drums thrill; Death august and royal Sings sorrow up into immortal spheres, There is music in the midst of desolation And a glory that shines upon our tears.
They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted; They fell with their faces to the foe.
They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years contemn. At the going down of the sun and in the morning We will remember them.
They mingle not with their laughing comrades again; They sit no more at familiar tables of home; They have no lot in our labour of the day-time; They sleep beyond England's foam.
But where our desires are and our hopes profound, Felt as a well-spring that is hidden from sight, To the innermost heart of their own land they are known As the stars are known to the Night;
As the stars that shall be bright when we are dust, Moving in marches upon the heavenly plain; As the stars that are starry in the time of our darkness, To the end, to the end, they remain.
Laurence Binyon (1869-1943), the poet and art critic, was born in Lancaster in 1869. He worked at the British Museum before going to war, having studied at Trinity College, Oxford where he won the Newdigate poetry prize. Whilst on the staff of the British Museum he developed an expertise in Chinese and Japanese art.
Aside from his best known poem For The Fallen (1914), most notably the fourth stanza which adorns numerous war memorials, Binyon published work on Botticelli and Blake among others. He returned to the British Museum following the war. His Collected Poems was published in 1931.
For The Fallen With proud thanksgiving, a mother for her children, England mourns for her dead across the sea. Flesh of her flesh they were, spirit of her spirit, Fallen in the cause of the free.
Solemn the drums thrill; Death august and royal Sings sorrow up into immortal spheres, There is music in the midst of desolation And a glory that shines upon our tears.
They went with songs to the battle, they were young, Straight of limb, true of eye, steady and aglow. They were staunch to the end against odds uncounted; They fell with their faces to the foe.
They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years contemn. At the going down of the sun and in the morning We will remember them.
They mingle not with their laughing comrades again; They sit no more at familiar tables of home; They have no lot in our labour of the day-time; They sleep beyond England's foam.
But where our desires are and our hopes profound, Felt as a well-spring that is hidden from sight, To the innermost heart of their own land they are known As the stars are known to the Night;
As the stars that shall be bright when we are dust, Moving in marches upon the heavenly plain; As the stars that are starry in the time of our darkness, To the end, to the end, they remain.
Lois Maxwell as Miss Moneypenny & Roger Moore as James Bond 007
In the spirit of what is most definitely Bond season, we have more news from the slick, Brit spy and his creator Ian Fleming.
Ian Fleming’s true inspiration for M’s no nonsense secretary Miss Moneypenny has been revealed as society hostess and bright young thing of the 1920s, Loelia Ponsonby.
The wife of the 2nd duke of Westminster, Ponsonby was said to be a close friend of the 007 author after meeting just before the 2nd World War.
The link between the two was made public after correspondence between the pair came to light. It was the impersonal, flirtatious manner of the letters, which mirrored the exchanges between Bond and Miss Moneypenny.
In the original novels he gave the Duchess’ name to the secertary before changing it to Miss Moneypenny in On Her Majesty’s Service. This all occurred long before the celebrated film franchise kicked off.
The letters, which are to be auctioned at Christies in London, contain playful exchanges such as, ‘shall I come and wake you with a kiss’ and ‘I shall sleep outside (I said outside) your door and live on Luft and Liebe (air and love)’. Although the letters may suggest otherwise it is thought the two never actaully had a relationship, much like Bond and Moneypenny.
For the diary: The collection of letters go under the hammer at Christies on 13 November. Visit the site here.
2008 also marks the centenary of the birth of the world’s most famous spy novelist. Click below to watch a clip of Fleming talks about his fictitious hero:
Matt Fullerty is the author of novels THE KNIGHT OF NEW ORLEANS (available 28 September 2011), THE MURDERESS AND THE HANGMAN (available 14 February 2012) and the forthcoming AMERICAN CON ARTIST (October 2012). A graduate of Oxford University, the University of East Anglia and a PhD in English from GW, he has published reviews, articles and interviews for The Daily Mail, The St. Ann's Review, BBC Radio London and the Discovery Channel's Deadly Women TV series. In 2011 he attended the Vermont Studio Center on an Artist's Grant.
Matt is Lecturer in English at George Washington University (GW) in Washington, DC, and recently taught Creative Writing at the University of London. He currently teaches DC police and FBI agents improved writing skills in GW's Police Science B.A.
Matt divides his time between Arlington, Virginia and Cambridge, England.
http://www.mattfullerty.com
http://www.theknightofneworleans.com
http://www.themurderessandthehangman.com